"I don't know how to run it and neither does M. We're both sort of waiting for someone to tell us what to do with it only I don't know if he'll accept anyone else taking charge. Maybe me, but..." He doesn't want to be in charge.
"It'll be okay. I know mostly what Scott intended with it."
"Well that's not running it. That's expanding it," she points out, but she's not surprised. That's what Jesus always does.
But she sighs: "You know your friend told me I should consider thinking of us more like a guild than a community?" Not in so many words, but it was the point he was trying to get through to her.
"He's here talking to you without me, I think he qualifies as our friend now," Jesus smirks. He's pleased they get along, relieved they've bonded even if the reason that happened was the cruel joke the Creator pulled.
"What's the difference between a community and a guild?"
"Apparently a guild can have a guild house, but mostly everyone is off doing their own thing towards a common goal," is what she took away from it, mostly.
"That might be what we have here," he admits. He's not sure how he feels about it, though. He likes having his own space; it's one reason he doesn't live with Drake. But he also misses the Hilltop sometimes.
"He told me he feels more comfortable here than he does at the Manor in some ways. Says it feels more like home to him, even like this. Especially like this."
"That doesn't surprise me." But it does make him smile, make him feel a little relieved. "I don't think I could get attached to anyone who doesn't understand all...this, on some level."
"I think you're doing just fine," she says, firmly, even a little proudly. She told Vrenille once that Jesus is nothing short of a miracle where they're from.
"Yeah. I'm good." He smiles slightly. "Better than. Things have been really good lately. Having Broken Hollow and Creekside to go to has helped a lot."
The city gets to be too much for him sometimes. He hasn't had a panicked moment like he did on that rooftop, but he has smaller moments where he has to just go.
"I'm good," she says too, almost automatically, and in the context of how they used to mean it regularly, she is. She's functional. She's here. She's physically in one piece.
But then she catches herself, shading in the long rail of a fence taking shape on her page.
"Mostly I'm good. Sometimes I'm not. I don't know what to expect here, you know?"
"Yeah," he agrees with a soft exhale, like letting go of something heavy. "Mostly I'm good, too. Sometimes it's hard to take the train. Sometimes... Sometimes I can't make myself get on it."
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